Wednesday, June 30, 2010

The Hand of Artisan by ANDREA JANKE


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For more informations for the collection
by AndreaJank e
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AndreaJanke 



Tuesday, June 29, 2010

The Eyes Have It

In light of the new Tom Ford Eyewear campaign, I think now is the perfect time to look back on Freja's illustrious track record in eyewear campaigns. If one thing is for sure, it's that her face was seemingly made to wear any eyewear no matter the size or shape. And yet we never lose sight of the fact that it's Freja behind all those different lenses, for her distinct nose and pronounced cupid's bow are true defining features that render her recognizable to even the most casual fan.

Hugo Boss SS06


Gucci SS06


Gucci Resort 0607


Gucci SS07


Gianfranco Ferre SS08


Joop SS08


Emporio Armani FW0809


Karl Lagerfeld SS09


Roberto Cavalli SS09


Chanel SS10


Karl Lagerfeld SS10


Tom Ford FW1011


Once again I feel like Freja is coming to define another paradox. She's subtle and malleable enough to model a wide variety of images, yet she's also distinct enough to be recognizable as an individual. It's this constant push pull between extremes that continues to make her so intriguing to me. And it provides endless fodder for all the rambling I do on this blog.

Anyway, I really do think that eyewear is one of the categories where Freja shines. When you see the structure and angles of her face in the different ads, there's just no denying that that face is a true model's face. Am I biased? Yeah, I most definitely am. But I also think that she wouldn't have been featured so many times for eyewear if something wasn't working. After all, the existence of all these campaigns and the people behind them must mean that I'm not alone in my thinking. Now I can't wait for the Chanel FW1011 eyewear campaign.

Image Credits: sources can be found in the image file name

Saturday, June 26, 2010

More Max Mara Images

I really hope these aren't the campaign images because the gross overuse of Photoshop in them is criminal. Why even hire a model like Freja if you're going to alter her face so much?





After seeing this whole set I want to believe that these are just lookbook images, because these as a campaign would be pretty disappointing. I mean, when was a Max Mara campaign ever shot in black & white? And I know their campaigns are usually pretty minimal, but this would be taking things to an extreme. The images also seem too raw and bland to be a fully formed ad campaign. I don't know....what do you think? Actual campaign? Or something else?

Also, thanks again to the anonymous commenter for the tip! You're like my very own fairy god mother. :)

Image Credits: Max Mara Mexico Facebook

First Image?

Possible image from the F/W 10.11 Max Mara campaign?



I'm not sure, but it sure does seems like it is. Huge, huge thanks to the anonymous commenter in this post for sharing the image with me. I don't know who you are, but thank you so much. It's tips like yours that keep this blog relevant and up-to-date. It's also all of everyone's comments that keep me on my toes, constantly thinking about new perspectives and ideas. So thank you everyone! After all, a blog is only as good as it's readers. :) I couldn't do this without you all, that's for sure.

Anyway, like I said above, I'm not sure if this is an actual image from the campaign or part of some other promotional material. Lookbook, catalog, store display, who knows? But Freja sure does look simply stunning. Just proceed with caution if you're going to repost this anywhere because I cannot confirm that it is indeed a campaign image.

And to the anonymous tipster, I wish I knew who you were so you could get the proper credit for this find!

Thursday, June 24, 2010

The Birds

Tom Ford Eyewear F/W 10.11
Ph: Tom Ford
Other Models: Nicholas Hoult



Now that the full campaign has been released, you can see why Ford went with a model like Freja this season. The eccentric, yet gorgeous qualities of her face perfectly mirror the dichotomy contained within the campaign images. There's a dialogue (and maybe even struggle) between maliciousness and absurd camp. The ravens are clearly meant to be a threatening element. Anyone who has seen Hitchcock's The Birds can attest to that.



Yet the facial expressions of both Freja and Nicholas betray, and even embrace the menacing aspect of their surroundings. "Why yes, birds are about to peck my body but I'll just act like they're nothing more than some harmless butterflies. And look! I'm even going to kiss one. Nevermind that another one just tried to eat my nipple."



Freja is just the type of model to carry this off. She's gorgeous no doubt (as 5 years in the industry and countless campaigns and eyewear ads can attest), but she's also quirky enough that she's not just another boring, beautiful face. There's an intelligence in her look that some people often write off because they just can't comprehend it. Or maybe they've only ever known Freja as the androgynous, tomboy model so they can't look past thair narrow way of thinking. Yet, all of the work she's done for the past year or so has countered that old image of herself, and some people still won't see her as anything more than the androgynous one. Sigh. I guess that's the power of having a unique image while all your peers kind of blend into one big blond hair, blue eyed Eastern European mass. But I digress...



The campaign aesthetic is a bit unexpected, but overall the images still retain some of the glamor we've come to associated with Ford's name. Chalk it up to the styling and dark, moody nature of the setting. All of this sure makes for one memorable campaign. I have a feeling that people are either going to love this or hate it, but one thing they won't feel is apathy. You have to love that about Tom Ford and his campaigns, for they always push boundaries. And in the cautiously recovering economic climate, isn't that a good thing? Isn't passion the one thing that all designers are trying to ignite in their customer base and the general public?

Image Credits: tomford.com, thepassionatemoviegoer.blogspot.com, best-horror-movies.com

Wednesday, June 23, 2010

More Unexpected Camapaign News

Fresh from the WWD front (via tFS member tarsha) comes news that Freja will also appear in the upcoming F/W 10.11 Valentino ad campaign:
"One doesn’t usually equate the word “shocking” with the house of Valentino, but there’s a radical image change afoot there. The fall campaign, which breaks in the July issue of Italian Vogue, has a new photographer — David Sims, who replaced Mert Alas and Marcus Piggott, making this his first Valentino campaign, and mixes nudity in with clothed models. Creative directors Maria Grazie Chiuri and Pier Paolo Piccioli opted for black-and-white and, for the first time, chose to shoot in the house’s historic Parisian headquarters in Place Vendôme. “The idea is that of an unexpectedly intimate black-and-white portrait with candid shots of unconventional, delicate and individual beauty and a more dangerous undercurrent,” said Chiuri. Added Piccioli, “We believe it is a very modern and feminine vision and we wanted to show each woman’s unique personal allure.”

The three models chosen to pose for the moody images are Freja Beha, Monika Jagaciak and Tati Cotlar, while Alex Gilbert provides the male presence. Each photo features two side-by-side shots of the same girl, one where she’s decked out in fall attire and the other naked, but cropped or posing to discreetly conceal her more intimate body parts — so magazines will run the ads."
Perhaps this news is a little less surprising than the Tom Ford Eyewear campaign news, but having Freja in a Valentino campaign is still out of the ordinary. Nevertheless, if this season is teaching us anything it's that Freja is truly one of the models of the moment.

Her campaign count so far is amazing:

Chanel Mainline
Chanel Eyewear
MaxMara
Balenciaga
Tom Ford Eyewear
Valentino

Quantity and quality of the brands, as all of them are top blue chip companies. As a longtime fan I'm overjoyed, but as always a little skeptical. Being "of the moment" carries an implicit connotation that the moment will end and you will be of the past before too long. Yes, I know I'm a strange fan because these are the first thoughts that run through my head. I think I've said it before on here, but market over saturation is never a good thing for the long term.

But maybe at this point it doesn't matter. Freja has proven herself to be indefatigable for the past five years, and all the success now is just part of the payoff, and part of the signs telling us she'll be around for another five years.

I guess I should just relax, revel in the moment and look forward to seeing the images roll in. Thoughts?

ENCHANTMENTS by ANDREA JANKE


AJANDREA JANKE Finest Accessories

Andrea Janke, Blog-Manager and Designer showcases the artistry of her high-end accessory line with embellishments of arts, designs and brands. Andrea Janke is modern yet feminine, artistic yet refined, presenting the lost art of seduction with the distinct voice found in each piece of her sophisticated, incomparable accessory collection.

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The perfect handbag to complete the look - Andrea Janke's classic silhouetted handbag - Attaché Bag with remouvable fur cape in SAGA Scanglow Mink - a very stylish and incomparable accessory.

ANDREA JANKE's accessory line embodies an elegant and desirable vision of fashion accessories in creating high-stylish manufactured handbags and wallets - Handbag-Couture - evoking emotional enchantments in selecting only the noblest and most outrageous fine leathers and furs, attended to a subtle detailed handcraft and exceptional colour compositions.The Pochette Purses by ANDREA JANKE in Lupo macchiato are embellished with elaborated hand-stitched embroideries, refined with hand-lacquered edges - mostly sublime are the adds of remouvable fur colliers - Enjoy the styles 

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Monday, June 21, 2010

Tom Ford Eyewear

In other news, add one more campaign to Freja's impressive list this season:
"Tom Ford liked directing actor Nicholas Hoult in “A Single Man” so much that he recast him again in the role of fashion model. Ford photographed Hoult and model Freja Beha Erichsen in London for his fall campaign, composing the images with ravens. Hoult models Tom Ford men’s wear and eyewear, while Erichsen wears only eyewear and a strategically placed scarf. The new campaign breaks in the International Herald Tribune during Men’s Fashion Week in Milan and will run in September books."
I believe this marks their first time working together, as Ford had already left Gucci by the time Freja started walking its runways. This is a rather interesting choice for Ford. No offense to Freja, but she doesn't really fit the mold of a typical Tom Ford beauty. But maybe that's what he's going for with this campaign; he wanted to put forth a different aesthetic and move away from the extremely glamorous and sexy vibe he's so well known for. Or maybe this campaign will see Freja transforming into someone we've never seen before. After all, this past year has given us lots of unexpected moments and pairings as we've seen Freja's career rise to heights and achievements previously thought to be unattainable for her.

Images should be released shortly so I guess we'll soon find out the reasoning behind this interesting casting choice. I'm thrilled of course, but I still find it pretty strange to go from girls like Anna Maria Jagodzinska and Caroline Murphy....to Freja. Whatever, get it girl!

Tom and Rick

-Thanks to two anonymous commentators in this post, I was able to track down some new (to me at least) images of Freja taken by photographer Tom Munro. If anyone has any idea what project they are for, please enlighten us. To my knowledge this is the only time they have worked together and the shots appear to be test shots of some sort:



The thing that confuses me is that they were taken at a time during Freja's career when she wouldn't need to take any test shots. I'd place the images circa 2008 judging by the short hair. But they were categorized under "Beauty" on Tom's agency's site so maybe they were for a campaign somewhere....maybe in Asia? I'm just generally confused because I haven't seen the images until now, and if they were for some kind of campaign I think they would have been more well known.

Sorry for being so ignorant about these images, their origin and their purpose. I normally try not to post about something I can't fully credit and explain, but these shots are so interesting and quite unique in Freja's oeuvre that I just wanted to share. If you look at them long enough they're also quite freaky, and that only adds to their mystery.

-We know Freja is a fan of Rick Owens because she's sports one of his leather jackets in nearly every street style shot, but now it seems like Rick is a fan of Freja's too. Her face is decorating the front of one of his jersey t-shirts.




If any of you huge fans out there have an extra $200 lying around, feel free to knock yourself out. Sorry but I think my $200 will be better off being put towards acquiring anything from this collection. In particular, this complete look. A girl can dream right? I'm sure $200 would get me half of the belt.....

Anyway, not only are designers naming their designs after Freja, they're also putting her on their designs. I guess you know you've made it as a model when you can truly fill a closet with items bearing your name and face. Do you think Freja gets anything in return for her face being used like that? Maybe free leather jackets for life? If so, then I'll gladly lend my visage to Rick anytime.

Image Credits: managementartists.com, luisaviaroma.com via tFS member Psylocke